Publications

Bad Taste (Dialogue Books, 2023)

Sarah Lucas: Happy Gas (Tate Publishing, 2023)

The Horror Show! book (Somerset House, 2023)

Class (Tate Publishing, 2021)

Steal As Much As You Can (Repeater Books, 2019)

Talks

3/4/24 In conversation with Georgia Graham, Salted Books, Lisbon (tickets)

9/11/23 In conversation with Suhaiymah Mansoor Khan, Matt Colquhoun, Lighthouse Books, Edinburgh (tickets)

8/11/23 In conversation with Camilla Grudova, Blackwells Manchester (tickets)

15/7/23 Lecture on Class, Tate Britain, London (tickets)

6/7/23 In conversation with Camilla Grudova, The Horse Hospital, London (tickets)

4/5/23 Public Knowledge: Jermaine Francis, Eddie Otechere Camden Art Centre, London (tickets)

8/12/22 Readings: Ayo Akingbade, Nathalie Olah and Gboyega Odubanjo, Chisenhale, London (tickets)

8/10/22 In conversation with Sam Friedman, Birmingham Literature Festival (tickets)

29/5/19 Presentation: Vernacular Lived Culture, Unsound Festival, Krakow (tickets)

Exhibition texts

2023 The Horror Show!, Somerset House, London

2022 Jerwood/Photoworks Awards, Jerwood Arts, London

Articles

Has it come to this? We must act now to save Birmingham’s culture from cuts (Guardian)

Photography against the end of history (Tribune)

Notes on the gallery as military hangar (ArtReview)

The problems of class and representation in art (ArtReview)

The final lessons of Janet Malcolm (ArtReview)

On Aftersun (Another Gaze)

The lessons of Nan Goldin’s struggle against the Sacklers (ArtReview)

Remembering Eve Babitz (Tribune)

Class, taste and sour grapes (Tribune)

The tradition of The New (Tribune)

Palaces for All (The White Review)

Viral terminology, technology and capitalism (Verso)

For a left cultural politics (Jacobin)

Bret Easton Ellis and the future of fiction (TLS)